Stormageddon

So last night’s megastorm managed to hit just late enough into my baseball game that we didn’t get to play much but were too far along to fit in another show before our planned late night outings. Oh well, at least I got noodles!

 

Girl’s End: Zombie Apocalypse- Venue #6

It’s unfinished. That much is obvious even without reading about it being a work in progress. The last 1/3 of an already pretty short (~40m) show feels flimsy and the ending is at best tacked on.  Despite this I’ve been recommending it to everyone I know who likes goofy musical theatre because the songs are great and the spunky performance from one woman powerhouse Jenna Warriner makes it totally worth it. Bring it back as a finish product please folks.

3.5/5

 

Fruit Flies Like a Banana – Venue #10

The unclassifiable genre for this one is pretty accurate. Music, Dance, Performance Art? Whatever you want to call it, these three multitalented performers from Boston spend an hour barrelling their way through one heck of a show. As a recovering Bass Trombone player myself I had a soft spot for the day in the life of a bass trombone bit, but most bits were great and everything was at the very least interesting. I thought it was hilarious that they pulled out an old radio free vestibule bit that I was pretty sure only my high school friend and I had ever heard of.

4.5/5 (admittedly probably not to the taste of people not into music)

 

Happiness – Venue #8

This didn’t do as much for me as it seems to for some people. It’s a tale of two self-help product pushers facing the biggest launch of their lives just as their facade of self confidence begins to crumble. The performances were great but something about it didn’t quite grab me, thinking back now though I’m willing to admit I may just not have been in the right headspace for it at that moment.

3/5 (others feel differently)

 

Gossamer Obsessions: Wilt -Venue #2

This one on the other hand I was in perfect headspace for.  Fractured parables for life (and death?) A mysterious (and evil?) apple. Pretty much indescribable but delightfully weird and funny. Not much more can be said without spoiling things. Like “an Iron Maiden made of pillows… the punishment is DECADENCE.” I can get behind that.

4/5

 

In Search of Cruise Control – Venue #1

I was never able to get in to see James Gangl’s previous show ‘Sex, Religion and other Hang-ups’ but I heard pretty great things. His followup is a weird and emotionally charged beast. The story of his transition from guilty catholic teen to giving his nephew the proper sex talk he never got is an entertaining one before a sharp sharp turn into a revelation that shatters (purposefully) the easy ryhtym of the show and suddenly gives new meaning to some of the earlier passages. It’s a testament to Gangl’s skill as a storyteller that he takes the audiences shock and weaves it back into the previous narrative to bring us full circle. It’s one heck of an accomplishment in my opinion and I hope it’s as cathartic a show as it seems to be for him.

5/5

 

DND Improv – Revisit

My cousin has been a fan in previous years and since this was the only night he could hit fringe we checked in for another installment. I stand by my earlier comments about possible staleness (I really do hope they take a year off while the GSAC redev is going on) but this episode was much much better.

 

Dr. Caligari’s Cabaret of Bullshit

For those who have never attended, the cabaret is a fundraiser traditionally held at midnight and involving a swathe of performers from across the fringe. It’s heavy on the out of town performers and (at least as was explained to me years ago by a performer) is meant as a thank you to the city. This year it was organized by Tara Travis/Penny Ashton and other mainstays. Lighting is provided by audience members using flashlights and a good chunk of the audience is performers who may or may not be on stage at some point. Bits are esoteric and numerous. Last night’s show included mashups of shows, a ‘who’s had the worst fringe’ faceoff between accident victim Fraz and review assassinated Jon Bennett in a bunny costume, rants from TJ Dawe and Jem Rolls, Cameryn Moore and Tonya Miller getting into a feminist sex call faceoff and an opera performance! Honestly you never know what you’re going to see.

Thoughtfully always held at a licensed venue too! If you’ve never been make plans for next year (and don’t do as I did and try to go to work the next day)


 

Sadly we’re now into the last few days of fringe and the masochist in me  won’t let himself skip tonight’s inevitable blue bomber shellacking by the Stampeders so it’s going to be one lunchtime show for me today. Also sleep because I got home from the cabaret just before 2 and couldn’t fall asleep until 3… then had a staff meeting first thing.

Plans for the weekend include catching up on a few fun sounding shows I’ve missed, checking out a few people who impressed me at the cabaret and attending the final (ever?) performance of the current lineup of Outside Joke and indeed probably the final performance of Outside Joke in their current improvised musical format as it’s Leif who is committing more fully to his new life in Edmonton (boo.)

Hope to see you fringing!

 

 

How high is my laundry pile?

There has been more concrete rumblings about the sad state of Fringe reviewing in the city this year. Due to recent choices by the freep CBC has become the defacto Review importance champ but they are either not reviewing EVERYTHING or doing what they’re doing extremely slowly, having the Metro as a print partner is a nice choice though. And while the Winnipeg Free Press IS reviewing every show this year, they are maintaining their infuriating pay wall. That said, at least they have mechanisms to sort and filter reviews whereas CBC is one long “press to load more” page of nonsense. The CBC actually used to have a pretty great fringe site but either by lack of budget or non-flexibility of their CMS (most likely both imo) they now have a garbage web experience.

Don’t get me wrong, I understand why the Freep feels the need for a paywall as they struggle in this day and age, but they need to make an exception. As our only ‘good’ newspaper it would be really nice to see them make this SPECIAL section a free feature of the website. Not only would this make them relevant again (right now people are only mentioning the WFP reviews if they got a bad CBC one,) it would be better for out of town visitors and might be a good showpiece on why locals (young people in particular) might want to subscribe for their arts coverage.

In terms of general fringe health, attendance was down a fair bit for the first few days but that’s likely at least partly a product of pretty changeable weather for chunks of the weekend. Things definitely won’t be setting a new record but seem healthy at least.

 

Everybody Dies In December – Venue #11

The new show from Nancy Kenny creator of ‘Roller Derby Saved My Soul’ and the documentary ‘On The Fringe.’ It’s a very different show than Roller Derby and I think that might be what made her reviews a bit less than stellar. We join Claire the Mortician as she bares her soul while preparing her clients for their last visit with the living and enjoys a last conversation with them as well. It’s a slower paced, darker comedy and one I quite enjoyed, though I can see why it wouldn’t be everyone’s cup of tea.

4/5

 

Curious Contagious – Venue #1

My second shadow puppetry extravaganza of the fringe. I’m ashamed to say I dozed off at one point. That’s mostly on me and my somewhat ragged state sleep-wise. That said, as gifted as these two women are at the various techniques they use in their unicorn tale I felt as if certain sequences went on a bit too long. Again that may be on me as this definitely shaded more towards the dance side rather than the story/comedy side of Space Hippo. Still, I really enjoyed it and the music was great too.

4/5

 

Falling Awake – Venue #2

Two gifted performers delighting the packed audience with a show that’s all physical comedy with elements of magic, mime and mystery. What’s more they survived a near catastrophic set collapse with grace and a lot of laughs. I hope we see them again next year.

4.5/5

 

President Bear – Venue #8

Their 2 star review might have been a bit harsh but it was also pretty on the nose. There’s a lot of potential here, particularly amongst the female cast members, but not a lot of polish. Most of the sketches outstayed their welcome to some degree and could have benefited from either more ruthless self editing or a workshop with an outside writer. Three or four more quality sketches and probably around 25% cut from the existing ones and they’d be looking at a 4-5 star review. Their filmed interstitials were great but you can’t rely on those too much. If they take their experience at this festival and learn from it we might have another great sketchcom group on our hands.

2.75/5

 

As for that laundry pile… let’s just say if you don’t hear from me after the Fringe it probably became sentient and ate me.

Another Fringe, a lot less time…

So we’re on day six of the 2016 Winnipeg Fringe Festival and I haven’t posted any reviews here yet, what gives?

Truth be told I’ve just been too busy at work and combined with a late start (thanks so much to the CFL for scheduling two bomber home games this week) I just haven’t had time other than a few twitter musings. Still, I’m a bunch of shows in at this point so let’s do a rundown with some very very quick reviews.

One Woman Sex and the City – Venue 4

Super energetic performer, non stop energy. As someone who hasn’t seen SATC after season 2 except for the occasional ep I didn’t get as much out of it as a lot of the audience but the script and performance won me over anyway.

4/5

 

Jupiter Rebellion with Zach Zultana – Venue 7

Even four days later this is still the standout of the fringe for me so far. Jeff Leard paints a vivid picture and does his best to create his sci-fi epic right inside your head. The fact that he does this as one man on a tiny spare stage with a minimum of lighting and great physicality makes it a must see.

4.5/5

 

5-Step Guide to being German 2 – Venue 1

I’d heard good things about Paco Erhard’s previous effort and it was indeed an enjoyable time. Nothing too groundbreaking just a pleasant standup routine based on national perceptions. Is either being nice or at least overly generous with his credit on Canadian geography skills though (sadly.)

3.5/5

 

The Beguiling Buffoonery of Jim Chiminey – Venue 26 (the place with the stairs)

God I hate this venue, the stairs are one thing but it’s more the reaching the top and finding yourself standing there on the steps in an area with no a/c or even airflow. It’s a throwback to the bad old days of fringe (die forever Ragpickers upstairs venue) but then you get into the venue proper and the A/C chills you to the bone. Luckily everyone’s favourite Shelby  Bond is there with an adorable physical clown show to lift your spirits to the rafters. There really isn’t any describing it, just go and smile.

4/5

 

One Man Dark Knight – Venue 1

Actually the Dark Knight trilogy. if you’ve seen a Charles Ross show before you know what to expect. Rapid fire, great impressions, great parody and asides. Being as I’m only really a fan of the middle film of this trilogy I enjoyed it less than his previous efforts but he’s still a gifted performer. That said, have to knock off some points for the sound, the combination of a lot of very whispery impressions and the less than stellar acoustics of the 3/4 closed off Mainstage made chunks of the show inaudible. This one would have been better suited for Warehouse I think.

4/5

 

Peter N’ Chris – Here Lies Chris – Venue 16

What at first seems like a departure from their norm into more of a standard sketch show is quickly revealed to have an overall narrative as well.  I more or less stumbled into seeing these guys for the first time during the overnight fringe years back and haven’t missed a show since. This one is probably my favourite since the first. Their incredible physicality and seemingly effortless charisma makes this show just fly by.

4.5/5

 

Papa Squat – Venue 13

The sequel show to the fantastic Ain’t True & Uncle False brings us a touching love story folk tale from the trailer park down by the Pea Punching plant. It’s an indescribable mix of story, song and feelings dragged down by a venue I despise. I get that the fringe is hurting for venues this year with Alloway Hall shut down and Planetarium Auditorium not being used (not sure why? is the construction affecting it as well?) but putting official shows out off this far in an incredibly cold hall with threadbare broken spring seats is just sad (this made worse by the fact I saw three shows in a row there.) This is the kind of venue you use for a BYOV so that they can schedule a few shows to maximum effect not for a main venue. Of course now that I say that I realize I’m just assuming it’s NOT a BYOV.

4.5/5

 

Burn Job – Venue 13

It’s TJ Dawe’s latest, what more do you need?   Ok, well if you need a bit more I’ll just say it’s a bit more of a return to a broader story and less focused on his personal involvement with new age personality stuff (though that comes up a bit as well.)

4/5

 

Best Picture – Venue 13

I’m finding it hard to say anything here. It was perfectly enjoyable and the cast certainly gave it their all but…  I’ve seen Tara Travis and Jon Patterson be so incredibly great in other stuff that I found this somewhat disappointing. It might just be that it seems to have been a last minute replacement for the show that was supposed to be in this slot (The Paladin) and I believe Tara was only filling in for someone else. Between this and Fraz apparently being injured and unable to appear in 2-Hander it’s not a great festival for RibbitRepublic.

3.25/5

 

SiddiqiJones – Venue 11

These guys tried hard it was a weirdly dead audience even by sunday afternoon show and they were getting absolutely no energy back. I’ve heard from multiple people that they’re talented but it just wasn’t working on this occasion. I really don’t think this a great venue for improv either which doesn’t help. Would see them again but this particular performance was solidly meh.

2.5/5

 

Space Hippo – Venue 8

Last year I saw these two present the very weird but very neat show ONI a very very japanese shadow puppetry extravaganza. I thought it was great but needed some work on pacing/production. They’ve put in that work and this show is pretty darned fantastic. In fact I hesitate to even call it shadow puppetry because that doesn’t really do it justice/might scare people off. If that fantastic poster hasn’t convinced you to give it a shot then listen to me and try it out (and if you love the poster they have pristine ones available for a donation.)

4.5/5

 

Outside Joke – Venue 18

Brilliant as always. Jane Testar’s ridiculous expression as she presented then played the maracas made my day. Seriously see them this year as it’s the last time (officially) that Leif will be doing the music.

4.5/5

 

DnDImprov – Venue 18

It pains me to say it, but I really wasn’t feeling it this year, we’ll see if that changes next performance I go to. Part of that is a few of the die hards, one woman in particular yelling out crap pretty constantly like ‘FIGHT’  or commenting on a scene. We didn’t come here to listen to youDefinitely wasn’t helped by multiple people going to the bathroom or leaving via the front of the stage and letting the big door slam either.  Performance wise it wasn’t cutting it for me either as people I consider the strength of the show didn’t seem to be given enough to do. I think they’re really missing Fraz Wiest too as his characters are always great at bringing the anarchy to the show.

I’m sort of torn on whether the multimedia stuff is really great either, the Windows 10 reminder was a pretty good unintentional laugh however.


 

Overall it’s been a good fringe so far but it has definitely felt ‘down’ attendance wise (sporadic intense rain can do that) so get out and see some shows! More to come!